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题名/责任者:

Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / William Earl Caplin.

出版发行项:

New York : Oxford : Oxford University Press, 1998.

ISBN:

0195104803 (alk. paper)

ISBN:

9780195143997 (pbk)

载体形态项:

xii, 307 p. : music. ; 28 cm.

变异题名:

Science and psychology of music performance

个人责任者:

Caplin, William Earl, 1948-

附加个人名称:

Parncutt, Richard, 1957-

附加个人名称:

McPherson, Gary.

个人名称主题:

Haydn, Joseph,-1732-1809-Criticism and interpretation .

个人名称主题:

Mozart, Wolfgang Amadeus,-1756-1791-Criticism and interpretation.

个人名称主题:

Beethoven, Ludwig van,-1770-1827-Criticism and interpretation.

论题主题:

Musical form .

论题主题:

Instrumental music-18th century-Analysis, appreciation.

论题主题:

Instrumental music-19th century-Analysis, appreciation.

论题主题:

Musical analysis .

论题主题:

Classicism in music.

论题主题:

Music theory-History-18th century.

论题主题:

Music theory-History-19th century .

中图法分类号:

J614.3

书目附注:

Includes bibliographical references (p. 289-292) and indexes.

内容附注:

Some Basic Formal Functions: An Overview -- Sentence -- Period -- Small Ternary -- Framing Functions -- Interthematic Functions: A Sonata Exposition -- Fundamental Progressions of Harmony -- Harmonic Functions -- Harmonic Progressions -- Tight-Knit Themes -- Sentence -- Presentation Phrase -- Continuation Phrase -- Period -- Antecedent Phrase -- Consequent Phrase -- Deviations from the Norm -- Hybrid Themes and Compound Themes -- Hybrid Themes -- Compound Themes -- Small Ternary -- Exposition -- Contrasting Middle -- Recapitulation -- Tight-Knit Versus Loose Organization -- Small Binary -- First Part -- Second Part -- Looser Formal Regions -- Subordinate Theme -- Looser Sentential Functions -- Additional Loosening Techniques -- Multiple Subordinate Themes -- Closing Section -- Dynamic Curve of Subordinate Theme -- Transition -- Modulating Versus Nonmodulating Transitions -- Beginning the Transition -- Ending the Transition -- Two-Part Transition -- Development -- Tonal Organization -- Pre-Core/Core Technique -- Development Sections Without a Core -- Retransition --|tRecapitulation -- Main Theme -- Transition -- Fusion of Main Theme and Transition -- Subordinate Theme (Group) -- Additional features -- Deviations from the Norm -- Coda -- Start of the Coda -- Phrase-Structural Organization -- Compensatory Functions -- Sonata Form -- Overall Tonal Organization - - Cadential Goals in the Exposition -- Main Theme -- Obscured Boundary Between Transition and Subordinate Theme -- Slow Introduction -- Slow-Movement Forms -- Sonata Form in Slow Movements -- Large Ternary -- Sonata Without Development -- Theme and Variations -- Minuet/Trio Form -- Minute Form -- Trio -- Rondo Forms -- Five-Part Rondo -- Sonata-Rondo -- Concerto Form -- Opening Ritornello -- Solo Exposition -- Subordinate-Key Ritornello -- Solo Development -- Solo apitulation -- Closing Ritornello

摘要附注:

Introducing a new theory of musical form for the analysis of instrumental music of the classical style. The book provides a broad set of principles and a comprehensive methodology for analysing phrases and themes to complete movements. Illustrated with over 250 annotated musical examples by Haydn, Mozart and Beethoven.

豆瓣简介：