机读格式显示(MARC)
- 000 03857cam 2200373 4500
- 008 970603s1998 nyug b 001 0 eng
- 020 __ |a 0195104803 (alk. paper)
- 020 __ |a 9780195143997 (pbk)
- 100 1_ |a Caplin, William Earl, |d 1948-
- 245 04 |a Classical form : |b a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven / |c William Earl Caplin.
- 246 3_ |a Science and psychology of music performance
- 260 __ |a New York : |b Oxford : |b Oxford University Press, |c 1998.
- 300 __ |a xii, 307 p. : |b music. ; |c 28 cm.
- 504 __ |a Includes bibliographical references (p. 289-292) and indexes.
- 505 00 |t Some Basic Formal Functions: An Overview -- |t Sentence -- |t Period -- |t Small Ternary -- |t Framing Functions -- |t Interthematic Functions: A Sonata Exposition -- |t Fundamental Progressions of Harmony -- |t Harmonic Functions -- |t Harmonic Progressions -- |t Tight-Knit Themes -- |t Sentence -- |t Presentation Phrase -- |t Continuation Phrase -- |t Period -- |t Antecedent Phrase -- |t Consequent Phrase -- |t Deviations from the Norm -- |t Hybrid Themes and Compound Themes -- |t Hybrid Themes -- |t Compound Themes -- |t Small Ternary -- |t Exposition -- |t Contrasting Middle -- |t Recapitulation -- |t Tight-Knit Versus Loose Organization -- |t Small Binary -- |t First Part -- |t Second Part -- |t Looser Formal Regions -- |t Subordinate Theme -- |t Looser Sentential Functions -- |t Additional Loosening Techniques -- |t Multiple Subordinate Themes -- |t Closing Section -- |t Dynamic Curve of Subordinate Theme -- |t Transition -- |t Modulating Versus Nonmodulating Transitions -- |t Beginning the Transition -- |t Ending the Transition -- |t Two-Part Transition -- |t Development -- |t Tonal Organization -- |t Pre-Core/Core Technique -- |t Development Sections Without a Core -- |t Retransition --|tRecapitulation -- |t Main Theme -- |t Transition -- |t Fusion of Main Theme and Transition -- |t Subordinate Theme (Group) -- |t Additional features -- |t Deviations from the Norm -- |t Coda -- |t Start of the Coda -- |t Phrase-Structural Organization -- |t Compensatory Functions -- |t Sonata Form -- |t Overall Tonal Organization - - |t Cadential Goals in the Exposition -- |t Main Theme -- |t Obscured Boundary Between Transition and Subordinate Theme -- |t Slow Introduction -- |t Slow-Movement Forms -- |t Sonata Form in Slow Movements -- |t Large Ternary -- |t Sonata Without Development -- |t Theme and Variations -- |t Minuet/Trio Form -- |t Minute Form -- |t Trio -- |t Rondo Forms -- |t Five-Part Rondo -- |t Sonata-Rondo -- |t Concerto Form -- |t Opening Ritornello -- |t Solo Exposition -- |t Subordinate-Key Ritornello -- |t Solo Development -- |t Solo apitulation -- |t Closing Ritornello
- 520 __ |a Introducing a new theory of musical form for the analysis of instrumental music of the classical style. The book provides a broad set of principles and a comprehensive methodology for analysing phrases and themes to complete movements. Illustrated with over 250 annotated musical examples by Haydn, Mozart and Beethoven.
- 600 10 |a Haydn, Joseph, |d 1732-1809 |x Criticism and interpretation .
- 600 10 |a Mozart, Wolfgang Amadeus, |d 1756-1791 |x Criticism and interpretation.
- 600 10 |a Beethoven, Ludwig van, |d 1770-1827 |x Criticism and interpretation.
- 650 _0 |a Instrumental music |y 18th century |x Analysis, appreciation.
- 650 _0 |a Instrumental music |y 19th century |x Analysis, appreciation.
- 650 _0 |a Musical analysis .
- 650 _0 |a Classicism in music.
- 650 _0 |a Music theory |x History |y 18th century.
- 650 _0 |a Music theory |x History |y 19th century .
- 700 1_ |a Parncutt, Richard, |d 1957-
- 700 1_ |a McPherson, Gary.
- 905 __ |a 211440 |b BK400019 |d J614.3 |e 21