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文献类型:西文图书 浏览次数:80

题名/责任者:
Music as a science of mankind in eighteenth-century Britain / Maria Semi.
出版发行项:
Surrey, England UK ; Burlington, VT : Ashgate Pub., 2011.
ISBN:
9781409428688 (hardcover : alk. paper)
载体形态项:
vi, 185 p. : ill. ; 24 cm.
个人责任者:
Semi, Maria.
论题主题:
Musicology-Great Britain-History-18th century.
论题主题:
Music-Philosophy and aesthetics-History-18th century.
论题主题:
Music theory-History-18th century.
中图法分类号:
J609.561
书目附注:
Includes bibliographical references and index.
内容附注:
Machine generated contents note: pt. I contribution of music to the `Science of Man' -- 1. ethical pleasure? Music and the education of man -- Art at the tea-table: Joseph Addison, the pleasures of the imagination and listening as a social virtue -- Interior listening and political harmony: Lord Shaftesbury -- critic at the opera: John Dennis, music-hating moralist -- Addison and Steele: critique and practice of music -- Conclusions -- 2. Anthropologies and psychologies of listening -- Music and `natural sympathy' -- Sympathetic emotions: vocal and instrumental music according to Lord Kames -- `mechanical' musical sympathy: Daniel Webb -- Musical expression -- Mimesis and imitation in music: Aristotle and the Moderns in the comparison ofThomas Twining -- beauty of the `system': the new musical listening of Adam Smith -- Conclusions -- pt. II intellectual background for British musical theories and histories -- 3. Musical knowledge and human knowledge -- Alexander Malcolm: A Treatise of Musick, Speculative, Practical and Historical (Edinburgh, 1721) -- Musical sound in a Lockeian mind: Alexander Malcolm's speculative music -- Music and the human mind: a new goal for the music of the Moderns -- John Frederick Lampe: The Art of Musick (London, 1740) -- Charles Avison: An Essay on Musical Expression (London, 1752) -- foundations of the art of music: the philosophical background of Charles Avison -- Expression and imitation -- Musical perfection as the ideal combination of knowledge, deed and action -- Conclusions -- 4. Music and history -- Historical Pyrrhonism and antiquarian research: the music of the Ancients in Burney and Hawkins -- forgotten `Science of Music': the musicology conceived by Sir John Hawkins -- `Sonata' replies to Fontenelle: Charles Burney's Essay on Musical Criticism -- `Unluckily for Purcell!': Charles Burney and the progressive fate of musical material -- Sir John Hawkins and the non-progressive nature of taste -- histories of music: cultural collocation of a literary genre -- Conclusions.
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