机读格式显示(MARC)

• 000 02914cam 2200229 4500

• 001 0000051262

• 005 20130710140334.0

• 008 110621s2011 enk b 001 0 eng

• 020 __ |a 9781409428688 (hardcover : alk. paper)

• 040 __ |a DLC |c DLC |d CCOM

• 090 __ |a J609.561/E13

• 093 __ |a J609.561

• 100 1_ |a Semi, Maria.

• 245 10 |a Music as a science of mankind in eighteenth-century Britain / |c Maria Semi.

• 260 __ |a Surrey, England UK ; |a Burlington, VT : |b Ashgate Pub., |c 2011.

• 300 __ |a vi, 185 p. : ill. ; |c 24 cm.

• 504 __ |a Includes bibliographical references and index.

• 505 00 |a Machine generated contents note: |g pt. I |t contribution of music to the `Science of Man' -- |g 1. |t ethical pleasure? Music and the education of man -- |t Art at the tea-table: Joseph Addison, the pleasures of the imagination and listening as a social virtue -- |t Interior listening and political harmony: Lord Shaftesbury -- |t critic at the opera: John Dennis, music-hating moralist -- |t Addison and Steele: critique and practice of music -- |t Conclusions -- |g 2. |t Anthropologies and psychologies of listening -- |t Music and `natural sympathy' -- |t Sympathetic emotions: vocal and instrumental music according to Lord Kames -- |t `mechanical' musical sympathy: Daniel Webb -- |t Musical expression -- |t Mimesis and imitation in music: Aristotle and the Moderns in the comparison ofThomas Twining -- |t beauty of the `system': the new musical listening of Adam Smith -- |t Conclusions -- |g pt. II |t intellectual background for British musical theories and histories -- |g 3. |t Musical knowledge and human knowledge -- |t Alexander Malcolm: A Treatise of Musick, Speculative, Practical and Historical (Edinburgh, 1721) -- |t Musical sound in a Lockeian mind: Alexander Malcolm's speculative music -- |t Music and the human mind: a new goal for the music of the Moderns -- |t John Frederick Lampe: The Art of Musick (London, 1740) -- |t Charles Avison: An Essay on Musical Expression (London, 1752) -- |t foundations of the art of music: the philosophical background of Charles Avison -- |t Expression and imitation -- |t Musical perfection as the ideal combination of knowledge, deed and action -- |t Conclusions -- |g 4. |t Music and history -- |t Historical Pyrrhonism and antiquarian research: the music of the Ancients in Burney and Hawkins -- |t forgotten `Science of Music': the musicology conceived by Sir John Hawkins -- |t `Sonata' replies to Fontenelle: Charles Burney's Essay on Musical Criticism -- |t `Unluckily for Purcell!': Charles Burney and the progressive fate of musical material -- |t Sir John Hawkins and the non-progressive nature of taste -- |t histories of music: cultural collocation of a literary genre -- |t Conclusions.

• 650 _0 |a Musicology |z Great Britain |x History |y 18th century.

• 650 _0 |a Music |x Philosophy and aesthetics |x History |y 18th century.

• 650 _0 |a Music theory |x History |y 18th century.

• 905 __ |a 211440 |b BK317207 |d J609.561 |e 13