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题名/责任者:

The Teatro Solís : 150 years of opera, concert, and ballet in Montevideo / Susana Salgado.

出版发行项:

Middletown, Conn. : Wesleyan University Press, c2003.

ISBN:

0819565938 (alk. paper)

ISBN:

0819565946 (pbk. : alk. paper)

载体形态项:

xxiii, 493 p. : ill. ; 27 cm.

个人责任者:

Salgado, Susana.

团体名称主题:

Teatro Solís (Montevideo, Uruguay)-History.

论题主题:

Music-Uruguay-Montevideo-History and criticism.

地理名称主题:

Montevideo (Uruguay)-History.

中图法分类号:

J617.2

书目附注:

Includes bibliographical references (p. 487-492).

内容附注:

Foreword / E. Thomas Glasow -- Preface / Julio Maria Sanguinetti -- Ch. 1. 1516-1829: The Solis Tradition - A Spanish Colony in the New World - The Birth of Theatrical Life: The Casa de Comedias - Tonadilla Escenica, Zarzuela, and Opera -- Ch. 2. 1830-1856: The Italian Opera in the Americas and the Antecedents of the Teatro Solis -- Ch. 3. 1839-1856: The Construction of the Teatro Solis - Project for a New Theater - The Zucchi Project - Eight Years of Delay - Architect Francisco Xavier de Garmendia and His New Project - Further Renovations -- Ch. 4. August 25, 1856: The Opening of the Teatro Solis -- Ch. 5. 1857-1858: A Triumphant Enrico Tamberlick Opens the Second Solis Season - Anna Bishop: A Soprano to Remember - Artur Napoleao and Oscar Pfeiffer: Two First Piano Virtuosi -- Ch. 6. 1859-1866: Anna de la Grange and Raffaele Mirate: Two Stars and Three Companies in the Same Season -- Ch. 7. 1867-1869: Louis Moreau Gottschalk, First American Pianist and Composer - His Monumental Solis Concerts - The World Premiere of Symphonie No. 2 "A Montevideo" -- Ch. 8. 1870-1876: Carlotta Patti - Pablo de Sarasate - Two Rossini Premieres - A Great Basso Buffo: Alessandro Bottero - Luisa Gallo - Il Guarany -- Ch. 9. 1878-1887: The First Uruguayan Opera: Tomas Giribaldi's Parisina - Francesco Tamagno's First Season at the Teatro Solis - More Debuts: Gemma Bellincioni and Roberto Stagno, Medea Mei and Nikolay Figner, Eva Tetrazzini -- Ch. 10. 1888-1889: Adelina Patti, Nineteenth-Century Superstar - Otello's Uruguayan Premiere: Romilda Pantaleoni and Roberto Stagno - Mattia Battistini, "The King of Baritones" -- Ch. 11. 1890-1894: Jose Oxilia: The Uruguayan Otello - Young Antonio Scotti's Falstaff - Edoardo Mascheroni: The First Notable Conductor - Seven Opera Premieres and a Famous Zarzuela -- Ch. 12. 1895-1897: La boheme Premiere with Hariclea Darclee and Emilio De Marchi - Francesco Tamagno Singing Otello - An Ideal Werther: Fernando De Lucia - Edoardo Mascheroni Conducts Seven New Operas - Florencio Constantino's Debut -- Ch. 13. 1898-1899: Montevideo and Its New Theaters - Luisa Tetrazzini - Two Bohemes and a Young Conductor: Giorgio Polacco - Regina Pacini - Luis Sambucetti's Suite d' orchestre -- Ch. 14. 1900: The Turn of the Century: From "La Belle Epoque" to Challenging Times - Opera as a Fashionable Social Event - Impresarios and Opera Business - Teatro Solis Carnival Masked Balls - Opera Programs and a Vanishing Collection -- Ch. 15. 1901-1902: Two New Stars at the Solis: Maria Barrientos and Guiseppe Anselmi - A Tosca to Remember with Hariclea Darclee and Edoardo Garbin - The Death of Maestro Luigi Preti, the Solis' First Conductor -- Ch. 16. 1903: The Rise of a Golden Age: The Arrival of Arturo Toscanini and Enrico Caruso -- Ch. 17. 1904-1906: Rosina Storchio and Madama Butterfly - The Opening of the Teatro Urquiza - Puccini Visits Montevideo - Toscanini Conducts the Teatro Solis Golden Jubilee - Salomea Kruszelnicka -- Ch. 18. 1861-1918: Glitter and Gaiety at Solis Operetta Seasons - The First American Musical: The Black Crook - An Outstanding English Operetta Season - Lehar Works Close Half a Century of Frivolous and Nonchalant Operettas -- Ch. 19. 1907-1914: Leopoldo Mugnone Conducts Massenet and Wagner Uruguayan Premieres - An Overnight Star: Amelita Galli-Curci - Mascagni's Arrival - Isabeau - Celestina Boninsegna - Guglielmo Ratcliff - Parsifal - The Ballets Russes: Vaslav Nijinsky and Tamara Karsavina -- Ch. 20. 1914-1916: Titta Ruffo: "Not a Voice but a Miracle" - Tito Schipa - Elvira de Hidalgo - Rosa Raisa - Giovanni Martinelli - A Pagliacci to Remember - Riccardo Zandonai's Francesca da Rimini - Uruguayan Opera World Premiere: Cesar Cortinas' La ultima gavota - Camille Saint-Saens' Arrival and Performance - The French Season: Andre Messager and Xavier Leroux Conduct Their Operas - Ninon Vallin -- Ch. 21. 1917: A Unique Performance: Artur Rubinstein and Vaslav Nijinsky - Ernest Ansermet and a New Season of the Ballets Russes - New Voices: Fanny Anitua and Marcelo Urizar - Uruguayan World Premiere: Cesar Cortinas' La sulamita - Gino Marinuzzi Conducts Puccini's La rondine Premiere -- Ch. 22. 1918-1922: Beniamino Gigli and Claudio Muzio - Lucien Muratore - Four Uruguayan Premieres: Madame Sans-Gene, Monna Vanna, Fedra, and Le roi de Lahore - Anna Pavlova - Recitals: Yolanda Mero, Frances Nash, Edouard Risler, Artur Rubinstein, and Ricardo Vines - Felix Weingartner and the Vienna Philharmonic Orchestra -- Ch. 23. 1923-1928: Richard Strauss Conducts Elektra and the Vienna Philharmonic - Debut of Nine Celebrated Singers - "A Gentleman of the Stage": The Baritone Victor Damiani - Two Premiers: Boris Godunov and La cena della beffe - Beethoven Centennial Concerts -- Ch. 24. 1929-1930: A Russian Opera Season - Bidu Sayao and Jan Kiepura - Rosette Anday's Carmen - Ottorino Respighi Conducts and Plays His Works - Guiomar Novaes - Wanda Landowska - Elisabeth Schumann - Jacques Thibaud - Feodor Chaliapin - The Creation of the SODRE -- Ch. 25. 1931-1955: Solis Versus SODRE: The Struggle for Survival - Lily Pons - The "Soler Miracle" - The Centro Cultural de Musica - An Impressive Porgy and Bess -- Ch. 26. 1956-1984: The Teatro Solis Centennial - Political Turmoil and the Fall of the Cultural Life - The Burning of the SODRE - From a Military Dictatorship to Democracy -- Epilogue: Opera, Concert, and Ballet on the Teatro Solis Stage - The Beginning of a New Era - Facing the Future -- App. A. Chronology (1856-1956) -- App. B. Artists who Peformed at the Teatro Solis (1856-1956) (Singers, Instrumentalists, Dancers, Conductors, Chorus Masters, Opera Directors) -- App. C. Musical Works Performed at the Teatro Solis (1856-1956) (Operas, Operettas, Ballets, Zarzuelas) -- App. D. Instrumental Ensembles that Performed at the Teatro Solis (1856-1956) (Orchestras, Chamber Groups, Bands, Etcetera) -- App. E. Vocal Ensembles the Performed at the Teatro Solis (1856-1956) -- App. F. Ballet Companies that Performed at the Teatro Solis (1856-1956).

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