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- 000 06998cam a22002654a 4500
- 008 030226s2003 ctua b 000 0 eng
- 020 __ |a 0819565938 (alk. paper)
- 020 __ |a 0819565946 (pbk. : alk. paper)
- 040 __ |a DLC |c DLC |d DLC
- 100 1_ |a Salgado, Susana.
- 245 14 |a The Teatro Solís : |b 150 years of opera, concert, and ballet in Montevideo / |c Susana Salgado.
- 260 __ |a Middletown, Conn. : |b Wesleyan University Press, |c c2003.
- 300 __ |a xxiii, 493 p. : |b ill. ; |c 27 cm.
- 504 __ |a Includes bibliographical references (p. 487-492).
- 505 00 |t Foreword / |r E. Thomas Glasow -- |t Preface / |r Julio Maria Sanguinetti -- |g Ch. 1. |t 1516-1829: The Solis Tradition - A Spanish Colony in the New World - The Birth of Theatrical Life: The Casa de Comedias - Tonadilla Escenica, Zarzuela, and Opera -- |g Ch. 2. |t 1830-1856: The Italian Opera in the Americas and the Antecedents of the Teatro Solis -- |g Ch. 3. |t 1839-1856: The Construction of the Teatro Solis - Project for a New Theater - The Zucchi Project - Eight Years of Delay - Architect Francisco Xavier de Garmendia and His New Project - Further Renovations -- |g Ch. 4. |t August 25, 1856: The Opening of the Teatro Solis -- |g Ch. 5. |t 1857-1858: A Triumphant Enrico Tamberlick Opens the Second Solis Season - Anna Bishop: A Soprano to Remember - Artur Napoleao and Oscar Pfeiffer: Two First Piano Virtuosi -- |g Ch. 6. |t 1859-1866: Anna de la Grange and Raffaele Mirate: Two Stars and Three Companies in the Same Season -- |g Ch. 7. |t 1867-1869: Louis Moreau Gottschalk, First American Pianist and Composer - His Monumental Solis Concerts - The World Premiere of Symphonie No. 2 "A Montevideo" -- |g Ch. 8. |t 1870-1876: Carlotta Patti - Pablo de Sarasate - Two Rossini Premieres - A Great Basso Buffo: Alessandro Bottero - Luisa Gallo - Il Guarany -- |g Ch. 9. |t 1878-1887: The First Uruguayan Opera: Tomas Giribaldi's Parisina - Francesco Tamagno's First Season at the Teatro Solis - More Debuts: Gemma Bellincioni and Roberto Stagno, Medea Mei and Nikolay Figner, Eva Tetrazzini -- |g Ch. 10. |t 1888-1889: Adelina Patti, Nineteenth-Century Superstar - Otello's Uruguayan Premiere: Romilda Pantaleoni and Roberto Stagno - Mattia Battistini, "The King of Baritones" -- |g Ch. 11. |t 1890-1894: Jose Oxilia: The Uruguayan Otello - Young Antonio Scotti's Falstaff - Edoardo Mascheroni: The First Notable Conductor - Seven Opera Premieres and a Famous Zarzuela -- |g Ch. 12. |t 1895-1897: La boheme Premiere with Hariclea Darclee and Emilio De Marchi - Francesco Tamagno Singing Otello - An Ideal Werther: Fernando De Lucia - Edoardo Mascheroni Conducts Seven New Operas - Florencio Constantino's Debut -- |g Ch. 13. |t 1898-1899: Montevideo and Its New Theaters - Luisa Tetrazzini - Two Bohemes and a Young Conductor: Giorgio Polacco - Regina Pacini - Luis Sambucetti's Suite d' orchestre -- |g Ch. 14. |t 1900: The Turn of the Century: From "La Belle Epoque" to Challenging Times - Opera as a Fashionable Social Event - Impresarios and Opera Business - Teatro Solis Carnival Masked Balls - Opera Programs and a Vanishing Collection -- |g Ch. 15. |t 1901-1902: Two New Stars at the Solis: Maria Barrientos and Guiseppe Anselmi - A Tosca to Remember with Hariclea Darclee and Edoardo Garbin - The Death of Maestro Luigi Preti, the Solis' First Conductor -- |g Ch. 16. |t 1903: The Rise of a Golden Age: The Arrival of Arturo Toscanini and Enrico Caruso -- |g Ch. 17. |t 1904-1906: Rosina Storchio and Madama Butterfly - The Opening of the Teatro Urquiza - Puccini Visits Montevideo - Toscanini Conducts the Teatro Solis Golden Jubilee - Salomea Kruszelnicka -- |g Ch. 18. |t 1861-1918: Glitter and Gaiety at Solis Operetta Seasons - The First American Musical: The Black Crook - An Outstanding English Operetta Season - Lehar Works Close Half a Century of Frivolous and Nonchalant Operettas -- |g Ch. 19. |t 1907-1914: Leopoldo Mugnone Conducts Massenet and Wagner Uruguayan Premieres - An Overnight Star: Amelita Galli-Curci - Mascagni's Arrival - Isabeau - Celestina Boninsegna - Guglielmo Ratcliff - Parsifal - The Ballets Russes: Vaslav Nijinsky and Tamara Karsavina -- |g Ch. 20. |t 1914-1916: Titta Ruffo: "Not a Voice but a Miracle" - Tito Schipa - Elvira de Hidalgo - Rosa Raisa - Giovanni Martinelli - A Pagliacci to Remember - Riccardo Zandonai's Francesca da Rimini - Uruguayan Opera World Premiere: Cesar Cortinas' La ultima gavota - Camille Saint-Saens' Arrival and Performance - The French Season: Andre Messager and Xavier Leroux Conduct Their Operas - Ninon Vallin -- |g Ch. 21. |t 1917: A Unique Performance: Artur Rubinstein and Vaslav Nijinsky - Ernest Ansermet and a New Season of the Ballets Russes - New Voices: Fanny Anitua and Marcelo Urizar - Uruguayan World Premiere: Cesar Cortinas' La sulamita - Gino Marinuzzi Conducts Puccini's La rondine Premiere -- |g Ch. 22. |t 1918-1922: Beniamino Gigli and Claudio Muzio - Lucien Muratore - Four Uruguayan Premieres: Madame Sans-Gene, Monna Vanna, Fedra, and Le roi de Lahore - Anna Pavlova - Recitals: Yolanda Mero, Frances Nash, Edouard Risler, Artur Rubinstein, and Ricardo Vines - Felix Weingartner and the Vienna Philharmonic Orchestra -- |g Ch. 23. |t 1923-1928: Richard Strauss Conducts Elektra and the Vienna Philharmonic - Debut of Nine Celebrated Singers - "A Gentleman of the Stage": The Baritone Victor Damiani - Two Premiers: Boris Godunov and La cena della beffe - Beethoven Centennial Concerts -- |g Ch. 24. |t 1929-1930: A Russian Opera Season - Bidu Sayao and Jan Kiepura - Rosette Anday's Carmen - Ottorino Respighi Conducts and Plays His Works - Guiomar Novaes - Wanda Landowska - Elisabeth Schumann - Jacques Thibaud - Feodor Chaliapin - The Creation of the SODRE -- |g Ch. 25. |t 1931-1955: Solis Versus SODRE: The Struggle for Survival - Lily Pons - The "Soler Miracle" - The Centro Cultural de Musica - An Impressive Porgy and Bess -- |g Ch. 26. |t 1956-1984: The Teatro Solis Centennial - Political Turmoil and the Fall of the Cultural Life - The Burning of the SODRE - From a Military Dictatorship to Democracy -- |t Epilogue: Opera, Concert, and Ballet on the Teatro Solis Stage - The Beginning of a New Era - Facing the Future -- |g App. A. |t Chronology (1856-1956) -- |g App. B. |t Artists who Peformed at the Teatro Solis (1856-1956) (Singers, Instrumentalists, Dancers, Conductors, Chorus Masters, Opera Directors) -- |g App. C. |t Musical Works Performed at the Teatro Solis (1856-1956) (Operas, Operettas, Ballets, Zarzuelas) -- |g App. D. |t Instrumental Ensembles that Performed at the Teatro Solis (1856-1956) (Orchestras, Chamber Groups, Bands, Etcetera) -- |g App. E. |t Vocal Ensembles the Performed at the Teatro Solis (1856-1956) -- |g App. F. |t Ballet Companies that Performed at the Teatro Solis (1856-1956).
- 610 20 |a Teatro Solís (Montevideo, Uruguay) |x History.
- 650 _0 |a Music |z Uruguay |z Montevideo |x History and criticism.
- 651 _0 |a Montevideo (Uruguay) |x History.