机读格式显示(MARC)
- 000 10894cam a22003014a 4500
- 008 030312s2003 nyu 001 0 eng
- 040 __ |a DLC |c DLC |d DLC
- 100 1_ |a Krasilovsky, M. William.
- 245 10 |a This business of music : |b the definitive guide to the music industry / |c M. William Krasilovsky and Sidney Schemel ; contributions by John M. Gross.
- 260 __ |a New York : |b Billboard Books, |c 2003.
- 300 __ |a xviii, 526 p. ; |c 24 cm.
- 504 __ |a Includes index.
- 505 00 |t Music Business Trends and Transformations-- |t The Music Industry in the 1990s -- |t Industry Growth -- |t Factors Relating to Growth -- |t Factors Inhibiting Growth -- |t Legislative Changes -- |t Record Industry Agreements and Practices -- |t Recording Artists Contracts -- |t The Standard Agreement -- |t Duration -- |t Group Artists -- |t Exclusivity -- |t Recording and Release Requirements -- |t Artist Royalties -- |t Recording Costs -- |t Recording Funds -- |t Publishing Rights -- |t Controlled Compositions -- |t Tour Support -- |t Video Rights -- |t Assignment -- |t Ownership and Use of Masters -- |t Coupling -- |t Accountings and Defaults -- |t Bankruptcy -- |t Contracts with Minors -- |t Disaffirmance of an Agreement -- |t Ratification of an Agreement -- |t Statutory Provisions of Contracts with Minors -- |t Parents' Guarantee of Contract Performance -- |t Independent Record Producers -- |t The Role of the Independent Record Producer -- |t Label Deals and Pressing and Distribution Deals -- |t Producer Royalties -- |t Recording Funds -- |t Production and Development Deals -- |t Producer Fees -- |t Music Publishing and Follow-up Rights -- |t Contractual Safeguards -- |t Foreign Distribution Agreements -- |t Royalty Provisions -- |t Advances and Guarantees; Term -- |t Exclusivity -- |t Broadcast Performance Fees -- |t Music Publishing -- |t Labels -- |t Release Requirements -- |t Record Clubs -- |t Coupling -- |t Cover Recordings -- |t Samples and Materials -- |t Accountings and Auditing -- |t Termination Procedure -- |t Variations in Currency Values -- |t Transmittal of Funds -- |t Jurisdiction over Disputes -- |t Default Clauses -- |t Labor Agreements -- |t Arbitration -- |t AFTRA and AFM Scale Payments -- |t AFM Special Payments and Trust Funds -- |t AFTRA health and Retirement Funds -- |t Retirement and Death Benefits -- |t Royalty Performers -- |t Contractors -- |t Dubbing -- |t AFM and AFTRA Scales for New Media -- |t Protections against Illicit Practices -- |t Domestic and Foreign Territory -- |t Other Income for Artists -- |t Copyright in Sound Recordings -- |t Copyright Protection for Published and Unpublished Works -- |t Authorship -- |t Rights of the Copyright Owner -- |t Copyrightable Works -- |t Foreign Sound Recordings -- |t Sampling -- |t Master Licensing -- |t Audio Home Recording Act -- |t The Digital Performance Right in Sound Recordings Act of 1995 -- |t The Digital Millennium Copyright Act of 1998 -- |t Bootlegging, Piracy, and Counterfeiting -- |t Federal Legislation -- |t Compulsory License for Sound Recordings -- |t International Treaties Regarding Piracy -- |t Record Covers, Labels, and Liner Notes -- |t Album Titles -- |t Recording Identification -- |t Trademarks -- |t Anticounterfeit Practices -- |t Warning Stickers and Censorship Issues -- |t Music Publisher and Writer Agreements and Practices -- |t Copyright Law in the United States -- |t Copyright Revision, 1790 to 1976 -- |t The Copyright Status of Sound Recordings -- |t Common Law Copyright -- |t Statutory Copyright -- |t Copyright Registration -- |t Registration of Published and Unpublished Works -- |t The Copyright Notice -- |t The Deposit of Copyrighted Works -- |t Transfers of Copyright Ownership -- |t Errors in the Copyright Notice -- |t The Correction of Errors -- |t Fair Use -- |t Copyright Protection of Song Titles -- |t Compulsory Mechanical License for Recordings -- |t Record Rentals -- |t Jukebox Public Performance Fees -- |t Copyright and Cable Television Transmission -- |t Licensing for Noncommercial Broadcasting -- |t Satellite Carrier Compulsory License -- |t The Duration of Copyright Protection -- |t Term of Copyright Protection -- |t The Supreme Court Decision on the Sonny Bono Copyright Term Extension Act -- |t The Duration of Copyright -- |t End-of-Calendar-Year Copyright Computation -- |t The Duration of Copyright Protection for Joint Works -- |t The Determination of Date of Death -- |t Copyright Renewal -- |t Termination of Transfers -- |t Duration of Copyright and Protection Outside of the United States -- |t The Uses of Public Domain -- |t Works in the Public Domain -- |t The Purposes of Public Domain -- |t Determining the Public Domain Status of Works -- |t Copyright Registration of New Versions and Arrangements of Works -- |t Arrangements and Adaptations -- |t Head Arrangements of Compositions -- |t The Copyrighting of Arrangements -- |t The Statutory Treatment of Arrangements -- |t No Effect on Duration of Basic Work -- |t Standards of Originality -- |t Derivative Works -- |t Sound Recording Sound-Alikes -- |t The Arrangement of Works in the Public Domain -- |t Foreign Treatment of Arrangements and Adaptations -- |t Performing Rights Organizations -- |t Performance Monies and the World Economy -- |t Clearing Functions -- |t American Society of Composers, Authors, and Publishers (ASCAP) -- |t Broadcast Music Inc. (BMI) -- |t Society of European Stage Authors & Composers (SESAC) -- |t Title Registration -- |t Surveying Procedures -- |t Grievance Procedures -- |t Membership -- |t The Fairness in Music Licensing Act of 1998 -- |t The ASCAP Payment System -- |t The BMI Payment System -- |t Loan Assistance -- |t Insurance Plans -- |t Writer Awards -- |t Foreign Collections -- |t Dramatic Performance Rights -- |t Mechanical Rights -- |t Parting with Possession; Returns -- |t Notice of Intention -- |t Compulsory License Accountings -- |t Copyright Owner Identification -- |t Negotiated Licenses -- |t The Harry Fox Agency -- |t Other U.S. Mechanical Rights Organizations -- |t The Canadian Mechanical Rights Organizations -- |t International Mechanical Rights Societies -- |t The Writer's Share of Mechanical Fees -- |t Record Clubs -- |t Title Use Restrictions -- |t Record Rentals -- |t Songwriter Contracts and Royalty Statements -- |t Duration of Copyright Assignment -- |t Songwriters Guild Contracts -- |t Copyright Divisibility -- |t Royalty Statements -- |t Recapture of Rights -- |t Printed Editions -- |t Sheet Music Sales -- |t Mechanical Rights -- |t Accountings and Audits -- |t Default -- |t Performance Fees -- |t Assignments -- |t Lyrics versus Music -- |t Royalties Held in Trust Funds -- |t Arbitration -- |t Exclusive Writer Agreements -- |t Works for Hire -- |t Factors Determining a Work-for-Hire Relationship -- |t Commissioned Works -- |t Assignments of Copyright -- |t Joint Work Status -- |t Co-Ownership and Joint Administration of Copyrights -- |t Registration and Notice -- |t The General Rights of Co-Owners -- |t The Problems of Co-Ownership -- |t Synchronization Rights -- |t Foreign Rights -- |t Consent by Silence -- |t Restrictions on Assignment -- |t The Writer's Interest in Co-Ownership -- |t The "Cut-In" -- |t Copyright Infringement -- |t Proof of Access to a Copyrighted Work -- |t The Use of Music in the Public Domain -- |t Vicarious Liability -- |t Who May Sue for Infringement -- |t Civil Remedies for Infringement -- |t Court Costs and Attorney Fees -- |t Criminal Remedies for Infringement -- |t Mechanical Right Infringement -- |t Infringement by Importation -- |t Copyright Registration -- |t The Recordation of Copyright Transfer -- |t Time Frame for Legal Actions -- |t Sampling and Copyright Infringement -- |t International Copyright Protection -- |t The Berne Convention -- |t The Effects of Berne Adherence -- |t Trade Negotiations and GATT -- |t U.S. Trade Representative -- |t Geneva Phonogram Convention -- |t WIPO Treaties -- |t Foreign Publishing -- |t The World Market for Music -- |t Representation by Subpublishers -- |t Foreign Performing Rights Societies -- |t Foreign Mechanical Licensing -- |t Synchronization Fees -- |t Printed Editions -- |t Local Lyrics and Versions -- |t Local Writer Royalties -- |t Copyright and Term of Rights -- |t Fees from All Usage, Accounting, and Audits -- |t Subpublication for Diverse Territories -- |t The European Union -- |t Default Clauses -- |t Jurisdiction over Disputes -- |t Catalog Agreements -- |t Local Firms -- |t Joint Firms -- |t The Termination of Joint Ownership -- |t The Writer as Publisher -- |t Writer-Publisher Joint Firms -- |t Self-Publishing -- |t Sources of Copyrights for the Self-Publisher -- |t Music for Motion Pictures -- |t Rights Required for Films -- |t Employee-for-Hire Agreements -- |t Synchronization and Performance Licenses -- |t Licensing Agents and Research Firms -- |t Videos and DVDs -- |t Music Publishing Rights -- |t Recording Artist Royalties -- |t Soundtrack Album Contracts with Record Companies -- |t Component Parts of Films -- |t Performances in Europe -- |t Licensing Recordings for Motion Pictures -- |t The Protection of Recordings -- |t The Consent of the Music Publisher -- |t Union Reuse Fees -- |t Artist Contract Restrictions -- |t Soundtrack Albums -- |t Music for the Theater -- |t The Rights of Producers and Writers -- |t Original-Cast Albums -- |t Subsidiary Rights -- |t American Productions Abroad -- |t Writing a Show -- |t Music in Dramatic Shows -- |t Investment in Musical Theater -- |t Sources of Investment -- |t AFM Union Scale -- |t Commercial Jingles -- |t Uses of Music in Commercial Jingles -- |t Payments for Music Used in Commercials -- |t Negotiations for Licensing Fees -- |t Warranties and Indemnities -- |t The Packaging of Jingles -- |t Payments to Singers and Instrumentalists -- |t The Simulation of an Artist's Style in Jingles -- |t Buying and Selling Music Publishing Companies and Record Companies -- |t The Buying and Selling of Catalogs -- |t Large Catalogs -- |t Factors to Consider -- |t Smaller Catalogs -- |t Sources of Individual Copyrights -- |t Renewal and Reversion Rights -- |t The Purchase of Assets or Stock -- |t The Price of Purchasing a Copyright -- |t Users of Copyrights -- |t Capital Gains -- |t Due Diligence -- |t Buying and Selling Record Companies and Masters -- |t Consolidation -- |t Factors to Consider -- |t Due Diligence -- |t Loans to Music Publishers -- |t The Special Risks in Loans to Music Publishers -- |t The Amount of a Loan -- |t Copyright Search Report -- |t The Recordation of Loans in the Copyright Office -- |t The Recordation of Loans in Local Jurisdictions -- |t Sale of Property upon Default -- |t Exclusive State Recordation for Certain Rights -- |t Exclusive Writer Contracts -- |t Conditions on the Administration of a Loan -- |t Outstanding Advances at the Time of a Loan -- |t The Appraiser's Report and Representations of the Borrower -- |t The Bankruptcy of the Borrower -- |t Printed Music -- |t Writer Royalties -- |t Print Publishers -- |t Specialty Folios.
- 650 _0 |a Music trade |z United States.
- 650 _0 |a Music |x Economic aspects.
- 650 _0 |a Copyright |x Music.
- 650 _0 |a Popular music |x Writing and publishing.
- 700 1_ |a Shemel, Sidney.