040 __ |a DLC |b eng |e rda |c DLC |d NGU |d UKM |d VVC |d LVB |d BAKER |d NLGGC |d BTCTA |d YDXCP |d OCLCG |d OCLCQ |d NTE |d ILU |d BDX |d OCLCF |d UKDBK |d OCLCQ |d OXB

100 1_ |a Brown, Clive, |d 1947- |0 http://id.loc.gov/authorities/names/n83134128

245 10 |a Classical and Romantic performing practice 1750-1900 / |c Clive Brown.

505 0_ |a Accentuation in theory -- Accentuation in practice -- The notation of accents and dynamics -- Articulation and phrasing -- Articulation and expression -- The notation of articulation and phrasing -- String bowing -- Tempo -- Alla breve -- Tempo terms -- Tempo modification -- Embellishment, ornamentation, and improvisation -- Appoggiaturas, trills, turns, and related ornaments -- Vibrato -- Portamento -- Paralipomena.

520 1_ |a "Clive Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music was more radically different from ours than is generally assumed."

520 8_ |a "This is for all performers and students of Classical and Romantic music. It provides a textbook for the teaching of late eighteenth- and nineteenth-century performing practice in universities and colleges. It will also be a guide for the enquiring listener."--Jacket.

650 _0 |a Performance practice (Music) |x History |y 18th century. |0 http://id.loc.gov/authorities/subjects/sh89003986

650 _0 |a Performance practice (Music) |x History |y 19th century. |0 http://id.loc.gov/authorities/subjects/sh89003987