机读格式显示(MARC)
- 000 07250cam a2200241 a 4500
- 008 100802s2011 mauab b 001 0 eng
- 020 __ |a 9780131839441 (alk. paper)
- 040 __ |a DLC |c DLC |d YDX |d YDXCP |d UKM |d TDF |d CDX |d IUL |d LML |d DLC
- 245 10 |a Music of Latin America and the Caribbean / |c Mark Brill.
- 260 __ |a Boston : |b Prentice Hall, |c c2011.
- 300 __ |a xiii, 402 p. : |b ill., maps ; |c 23 cm.
- 504 __ |a Includes bibliographical references and index.
- 505 00 |t Introduction / |r Brenda Romero -- |g Chapter 1. |t Music of Latin America and the Caribbean: An Overview -- |t Introduction -- |t Indigenous Cultures Before 1492 -- |t Pre-Columbian Music -- |t 1492 and the Advent of Syncretism -- |t The White Legend and the Black Legend -- |t The Emergence of Mestizo Culture -- |t Mestizo Music -- |t European Cultures in America -- |t The Emergence of African Culture -- |t Religious Syncretism -- |t Modern Native Societies -- |t Indigenous Music Today -- |t Latin America Today -- |t A Note on the Accompanying CDs and the Recommended Listening -- |g Chapter 2. |t The Classical Tradition -- |t Introduction -- |t The Colonial Period -- |t Colonial Church Music -- |t Instrumental Music -- |t Musical Syncretism -- |t The Villancico -- |t Art Music in Colonial Brazil -- |t The American Baroque -- |t Colonial Opera -- |t The Fall of the Colonial System -- |t The Nineteenth Century: Romanticism in America -- |t Romantic Opera -- |t The Twentieth Century: Nationalism in America -- |t The Aztec Renaissance -- |t Brazil -- |t Argentina -- |t Other Nationalist Styles -- |t Latin American Modernism -- |g Chapter 3. |t Mexico -- |t Introduction -- |t Historical Overview -- |t The Mayas and Other Early Mexican Cultures -- |t The Aztecs -- |t Aztec Instruments -- |t Aztec Music -- |t The Conquest and the Colonial Period -- |t Mexican Independence -- |t Mexican Celebrations -- |t Patriotic and Religious Celebrations -- |t Day of the Dead -- |t Mexican Native Traditions -- |t Modern Maya Music -- |t Modern Aztec Music -- |t Los Concheros -- |t Other Native Traditions -- |t Mexican Folk Music -- |t Cancion -- |t Orquesta tipica -- |t Mexican Dances -- |t The son -- |t Regional Traditions -- |t Southeastern Mexico -- |t Danzon and Bolero -- |t Son Jarocho -- |t Son Huapango -- |t The Marimba -- |t Central and Western Mexico -- |t The Charro -- |t Cancion Ranchera and Mariachi -- |t Son, Jarabe, and Bolero -- |t The Borderland Region -- |t Corrido -- |t Dueto Singing -- |t Musica Nortena and Conjunto -- |t Tejano and Tex-Mex -- |t Banda -- |t Popular Music in Mexico -- |t Muscia Tropical -- |t Pop -- |t Nueva trova -- |g Chapter 4. |t The Spanish-Speaking Caribbean -- |t Introduction to the Caribbean -- |t Caribbean History -- |t Caribbean Culture -- |t Native Musical Traditions -- |t African Religions and Rituals -- |t Modern Caribbean Music -- |t Cuba -- |t Introduction -- |t Historical Overview -- |t Instruments and Elements of Cuban Music -- |t The African Roots of Cuban Music -- |t Santeria -- |t Other Afro-Cuban Rhythms -- |t The Spanish Roots of Cuban Music -- |t Cuban Dance Music -- |t Son Montuno -- |t The Cuban Song Tradition: Trova and Bolero -- |t Cuban Music Leaves the Island -- |t Cuban Music Since the Revolution -- |t Nueva Trova -- |t Salsa -- |t The 1990s -- |t Puerto Rico -- |t Historical Overview -- |t Spanish Roots: Jibaro Music -- |t Decima and Seis -- |t Aguinaldo -- |t Danza -- |t African Roots -- |t Vejigantes -- |t Bomba -- |t Plena -- |t Bomba and Plena in the Twentieth Century -- |t Puerto Rican Popular Music -- |t Reggaeton -- |t The Dominican Republic -- |t Afro-Dominican Styles -- |t Palos -- |t Cocolos -- |t Syncretic Styles -- |t Merengue -- |t Bachata -- |g Chapter 5. |t The English- and French-Speaking Caribbean -- |t The English-Speaking Caribbean -- |t Jamaica -- |t Afro-Jamaican Traditions -- |t Maroon Nation: Obeah -- |t Bongo Nation: Kumina -- |t Revival Zion and Pocomania -- |t Rastafarianism -- |t Rastafarian Music -- |t Jonkonnu -- |t Jamaican Popular Music -- |t Harry Belafonte -- |t Mento -- |t Ska -- |t Rocksteady -- |t Reggae -- |t Bob Marley and The Wailers -- |t Due Music -- |t Dancehall and Ragga -- |t Trinidad -- |t Trinidadian Carnival -- |t Early Song Forms: Kalinda and Lavway -- |t Calypso -- |t Tamboo Bamboo -- |t Steel Pan -- |t Soca -- |t Rapso -- |t Parang -- |t Chutney -- |t The French-Speaking Caribbean -- |t Haiti -- |t Historical Overview -- |t Vodou -- |t Rara -- |t Secular Dances -- |t Compas and Cadence -- |t Martinique and Guadeloupe -- |t Drumming in the French Antilles -- |t African-Derived Dances -- |t European-Derived Dances -- |t Carnival -- |t Zouk -- |t Contemporary Trends -- |t The Garifuna -- |t Garifuna Music -- |t Punta Rock -- |g Chapter 6. |t Brazil -- |t Introduction -- |t Historical Overview -- |t Saudade -- |t Religious Syncretism -- |t The Roots of Brazilian Music -- |t Brazilian Musical Instruments -- |t Afro-Brazilian Folk Dances -- |t Capoeira -- |t Carnival -- |t History of Brazilian Carnival -- |t Samba -- |t The Escolas de Samba -- |t Carnival Today -- |t The Northeast -- |t Baiao and Fossa -- |t Forro -- |t Other Rural Styles -- |t Musica Popular Brasileira -- |t Modinha, Lundu, and Maxixe -- |t Choro -- |t The Golden Age of Musica Popular Brasileira -- |t The Bossa Nova Phenomenon -- |t After the Bossa Nova -- |t Tropicalia -- |t The Post-Tropicalia Explosion -- |g Chapter 7. |t Colombia and Venezuela -- |t Introduction to Hispanic South America -- |t Colombia -- |t Historical Overview -- |t Music of the Interior -- |t Bambuco -- |t The Caribbean Coast -- |t Cumbia -- |t Modern Cumbia -- |t Porro -- |t Vallenato -- |t The Pacific Coast -- |t Currulao -- |t Popular Styles -- |t Salsa -- |t Champeta -- |t Venezuela -- |t Historical Overview -- |t Venezuelan Instruments -- |t Musica llanera -- |t Joropo -- |t Venezuelan Christmas Music -- |t Afro-Venezuelan Music -- |t Caribbean Styles -- |t Calipso -- |t Musica Tropical -- |g Chapter 8. |t The Andean Region -- |t Introduction -- |t The Incas -- |t Inca Music -- |t The Modern Andean Region -- |t Andean Music -- |t General Characteristics -- |t Andean Instruments -- |t Notched Flutes -- |t Panpipes -- |t Other Wind Instruments -- |t Charango -- |t Drums -- |t Percussion -- |t Other Andean Instruments -- |t Andean Ensembles -- |t Andean Rituals -- |t Inti Raimi -- |t La Fiesta del Apostol Santiago -- |t La Fiesta del Gran Poder -- |t Pachallampe -- |t Andean Song: Yaravi -- |t Andean Dances -- |t Huayno -- |t Sanjuan -- |t Danza de las tijeras -- |t Carnival Dances -- |t Andean Music in a Modern Context -- |t Peru -- |t Historical Introduction -- |t Afro-Peruvian Music -- |t Musica Criolla -- |t Criollo Songs -- |t Criollo Dances -- |t Estudiantinas -- |t Peruvian Popular Music -- |t Chicha -- |g Chapter 9. |t The Southern Cone Region -- |t Introduction -- |t Argentina -- |t Historical Overview -- |t The Gaucho -- |t Payada -- |t Milonga -- |t Tango -- |t Origins -- |t Guardia Vieja -- |t Guardia Nueva -- |t Nuevo Tango -- |t Other Folk Dances and Songs -- |t Zamba -- |t Chacarera -- |t Chamame -- |t Musica tropical -- |t Cuarteto -- |t Bailanta -- |t Cumbia Villera -- |t Chile -- |t The Huaso -- |t Chilean Folk Songs -- |t Poetas Populares -- |t Tonada -- |t Folk Dances: Cueca -- |t The Popularization of Chilean Folk Music -- |t Nueva cancion -- |t Origins -- |t Nueva Cancion's Political Outlook -- |t The Peak of Nueva Cancion -- |t The 1973 Coup D'etat -- |t Canto Nuevo -- |t The 1990s.
- 650 _0 |a Music |z Latin America |x History and criticism.
- 650 _0 |a Music |z Caribbean Area |x History and criticism.