机读格式显示(MARC)

• 000 03802cam a2200469 i 4500

• 001 0000183018

• 003 OCoLC

• 005 20250317095800.0

• 006 m_ o d

• 007 cr cnu|unuuu||

• 008 180430s2018 nyu ob 001 0 eng d

• 020 __ |a 9781108514866 |q (electronic bk.)

• 020 __ |a 1108514863 |q (electronic bk.)

• 020 __ |a 9781139998345

• 020 __ |a 113999834X

• 020 __ |a 1107082455

• 020 __ |a 9781107082458

• 020 __ |a 1107442893

• 020 __ |a 9781107442894

• 020 __ |z 9781107082458 |q (hardback)

• 020 __ |z 9781107442894 |q (paperback)

• 040 __ |c CCOM |d CCOM

• 090 __ |a J614.3/E270

• 093 __ |a J614.3 |2 5

• 100 1_ |a Shenton, Andrew, |d 1962- |e author.

• 245 10 |a Arvo Pärt's resonant texts : |b choral and organ music, 1956-2015 / |c Andrew Shenton.

• 264 _1 |a New York, NY : |b Cambridge University Press, |c 2018.

• 300 __ |a xxi, 288 pages ; |c 27 cm.

• 336 __ |a text |b txt |2 rdacontent

• 337 __ |a computer |b c |2 rdamedia

• 338 __ |a online resource |b cr |2 rdacarrier

• 504 __ |a Includes bibliographical references and index.

• 505 0_ |a Cover; Half-title; Title page; Copyright information; Dedication; Table of contents; List of Figures; List of Tables; List of Music Examples; Preface; Acknowledgments; Author's Notes; 1 Prelude: Resonant Texts; Analysis; The Pärt Centre; Authorial Intent; Pärt's Sphere of Influence; 2 Credo: 1956-1976; Works for Children; First Major Choral Work: Our Garden; Orchestral and Chamber Works; Credo; 3 Interlude: Audible Light; Basic Principles of Tintinnabulation; Bells; Current Theoretical Explanations and Evaluations; Tintinnabulation and Meaning; Dissonance-Based Analysis

• 505 8_ |a The Influence of Text and Image4 Passio: 1976-1982; The Early Tintinnabuli Instrumental Works; Sarah/Modus; Pärt and the Organ; Organ and Voices; Annum per Annum; Passio: A Pinnacle of Tintinnabulation; 5 Interlude: The Numinous Encounter; Pärt's Religious Background and Convictions; Pärt and St. Silouan of Athos; God's Ambassador; Oeuvre Analysis; Christian Humility and Pärt's Theology of Word and Sound; The Numinous Encounter; The Iconic and Transcendent Properties of Pärt's Music; Keys to Understanding: Mentalese and Anagogy; 6 Kanon: 1982-1997; Psalm Settings; Stabat Mater; Te Deum

• 505 8_ |a AnalysisReception History; Works for Strings and Minor Works; Magnificat; Miserere; Section 1; Section 2; Section 3; Section 4; Transformations in The Beatitudes; Two Choirs and Two Organs; Score Revision; Berliner Messe; Litany; Criticism of Pärt; A Cantata for Milan; Kanon Pokajanen; 7 Interlude: Performance Practice; Pärt on Performance; Performers on Performance; The Question of Interpretation; The Score and Its Value; Authorized Recordings; Interpreting Pärt; 8 Lamentate: 1997-2003; Two Anthems for Karlstad; Innovation in Triodion and Zwei Beter; Como Cierva Sedienta; Section I

• 505 8_ |a Section IISection III; Section IV; Section V; Several Small Anthems; 9 Adam's Lament: 2003-2015; In Principio; More Short Anthems; Works for String Orchestra and Minor Works; Piece for Peace; Vater Unser: An Unusual Miniature; Three Anthems; Sei gelobt: Another Unusual Miniature; Adam's Lament; Reception History and Collaboration; Smaller Works after 2012; 10 Postlude; Affinity; Numinosity; Vernacular Meanings; Appendix 1 Texted Works Listed by Category; Appendix 2 Sung Works Listed by Initial Scoring; Bibliography; Index

• 520 __ |a Systematic and detailed analysis of the work of this extremely popular composer, providing description, context, examples, and commentary.

• 600 10 |a Pärt, Arvo |x Criticism and interpretation.

• 600 10 |a Pärt, Arvo. |t Choral music.

• 650 _0 |a Choral music |y 20th century.

• 650 _0 |a Choral music |y 21st century.

• 920 __ |a 211440 |z 1