260 __ |a Cambridge, UK ; |a New York : |b Cambridge University Press, |c 2006.

505 00 |g 1. |t "Atonality" : a revisionist thesis -- |g 2. |t "Based on tradition" : four songs, Op. 2, 1899 -- |g 3. |t The principle of incremental innovation : Verklarte Nacht, 1899 -- |g 4. |t Conservative song-cycle, progressive cantata : Gurrelieder, 1900-11 -- |g 5. |t Programmatic music and its implications : Pelleas und Melisande, Op. 5, 1902-3 -- |g 6. |t Consolidation : six songs, Op. 3, 1903-4 -- |g 7. |t Abstract form, secret program : string quartet, Op. 7, 1904-5 -- |g 8. |t Referential centers? : Lieder and fragments, fall 1905 -- |g 9. |t Absolute music and its consequences : chamber symphony, Op. 9, 1905-6 -- |g 10. |t Crisis : Friede auf Erden, Op. 13, ballades, Op. 12, and the reception of Schoenberg's music, August 1906 to July 1907 -- |g 11. |t Motivic economy : string quartet No. 2, Op. 10, movements one and two, March-December 1907 -- |g 12. |t "Until then I lacked the strength and confidence" : two songs, Op. 14, December 1907-March 1908 -- |g 13. |t Beyond triads : the first layer of Das Buch der hangenden Garten, Op. 15, March-April 1908 -- |g 14. |t "On revient toujours?" : returning to Opp. 10 and 15, June 1908-February 1909 -- |g 15. |t The analysis of Schoenberg's post-1908 music : Pieces for Piano, Op. 11, Nos. 1 and 2, February 1909 -- |g 16. |t "Intoxicated by the enthusiasm" : five orchestral pieces, Op. 16; Piece for Piano, Op. 11, No. 3, May-August 1909 -- |g 17. |t The birth (and death) of new music : August 1909 and beyond.