机读格式显示(MARC)
- 000 01809cam a2200289 i 4500
- 008 190118s2019 nyuag b 001 0deng
- 020 __ |a 9780190947187 |q hardcover |q alkaline paper
- 020 __ |z 9780190947200 |q electronic book
- 040 __ |a DLC |b eng |e rda |c CCOM |d CCOM
- 100 1_ |a Ferraguto, Mark, |e author.
- 245 10 |a Beethoven 1806 / |c Mark Ferraguto.
- 264 _1 |a New York, NY : |b Oxford University Press, |c [2019]
- 300 __ |a xxi, 245 pages : |b illustrations, music ; |c 25 cm.
- 336 __ |a text |b txt |2 rdacontent
- 337 __ |a unmediated |b n |2 rdamedia
- 338 __ |a volume |b nc |2 rdacarrier
- 490 1_ |a AMS studies in music
- 504 __ |a Includes bibliographical references and index.
- 520 __ |a Between early 1806 and early 1807, Ludwig van Beethoven completed a remarkable series of instrumental works. But critics have struggled to reconcile the music of this banner year with Beethoven's "heroic style," the paradigm through which his middle-period works have typically been understood. Drawing on theories of mediation and a wealth of primary sources, Beethoven 1806 explores the specific contexts in which the music of this year was conceived, composed, and heard. As author Mark Ferraguto argues, understanding this music depends on appreciating the relationships that it both creates and reflects. Not only did Beethoven depend on patrons, performers, publishers, critics, and audiences to earn a living, but he also tailored his compositions to suit particular sensibilities, proclivities, and technologies.
- 600 10 |a Beethoven, Ludwig van, |d 1770-1827 |x Criticism and interpretation.
- 650 _0 |a Music |y 19th century |x History and criticism.
- 830 _0 |a AMS studies in music.