机读格式显示(MARC)
- 000 03329cam 2200253 4500
- 008 101021s2011 maua 001 0 eng d
- 020 __ |a 9780240522357 (pbk.)
- 040 __ |a BTCTA |b eng |c BTCTA |d CCOM
- 100 1_ |a Gammons, Helen.
- 245 14 |a The art of music publishing : |b an entrepreneurial guide to publishing and copyright for the music, film and media industries / |c Helen Gammons.
- 260 __ |a Amsterdam ; |a Boston : |b Focal Press, |c 2011.
- 300 __ |a xxix, 202 p. : |b ill. ; |c 24 cm.
- 500 __ |a Includes index.
- 504 __ |a Includes bibliographical references and index.
- 505 00 |a Machine generated contents note: |t What is music publishing? -- |t A&R process -- |t Income streams -- |t Summary -- |t What is copyright? -- |t How long does copyright last? -- |t Masters and re-recording restrictions -- |t Ownership of the master recording -- |t Lyric writing [-] a lost art -- |t SWOT analysis -- |t Example -- |t Working with media companies -- |t Moral rights -- |t US copyright issues -- |t Summary -- |t Collection societies -- |t UK performing and mechanical rights societies -- |t Berne Convention -- |t Copyright issues leading European discussion -- |t Implementation of EU Directive [-] UK Copyright Act -- |t WIPO -- |t ISP news -- |t Central licensing -- |t Internet licensing [-] growth of legitimate online licensing -- |t How does this help, exactly? -- |t How a great song survives -- |t What does a music publisher do? -- |t Performance income -- |t How is income generated? -- |t Deductions -- |t PRS for Music [-] mechanical income stream flow -- |t Accounting practices -- |t Synchronization -- |t Sheet music -- |t Contractual language -- |t Types of contract -- |t Summary -- |t Exploits in film and television -- |t role of the music supervisor -- |t Some key movie terms -- |t Independent film sales networks -- |t Great movie composers -- |t Cue sheets -- |t Useful film bodies -- |t top UK and US advertising agencies -- |t Summary -- |t undiscovered country -- |t Product and presentation [-] songwriters -- |t Summary -- |t Benefits of local and international trade shows -- |t Examples of trade shows -- |t Summary -- |t What is networking? -- |t Some useful networking tips -- |t Summary -- |t Sampling, loops and samplers -- |t PRS for Music [-] financial results snapshot of 2009 -- |t Guardian report by Victor Keegan -- |t snapshot of the IFPI report [-] music industry 2010 -- |t Recorded music sales 2009 -- |t Digital market developments -- |t Gerd Leonhard [-] futurist, fatalist, fantasist or guru? -- |t Why is the catalogue being sold or bought? -- |t Managing risk -- |t Background information -- |t Questions -- |t Retention period -- |t Reasons for buying a catalogue -- |t Postcompletion plan -- |t Summary -- |t SWOT [-] strengths, weakness, opportunities and threats -- |t PEST [-] political, economic, social and technological -- |t Aims and objectives -- |t marketing mix [-] the four Ps of marketing -- |t Scenario planning -- |t Summary -- |t Definitions -- |t Introduction -- |t Why does CSR matter to you? -- |t Technology and the sustainability of the creative industries -- |t Environmental impact -- |t Investigating the current state of the CSR debate -- |t Conclusion.
- 650 _0 |a Music publishing.
- 650 _0 |a Music trade |x Vocational guidance.
- 905 __ |a 211440 |b BK326685 |d J6-62 |e 12