机读格式显示(MARC)

• 000 01570cam 2200217 4500

• 001 0000052632

• 005 20151023150344.0

• 008 060717s2007 enkg b 001 0 eng

• 020 __ |a 9780195189872 (alk. paper)

• 040 __ |a DLC |c DLC |d CCOM

• 090 __ |a J609.4/E4

• 093 __ |a J609.4

• 100 1_ |a Haynes, Bruce, |d 1942-2011.

• 245 14 |a The end of early music : |b a period performer's history of music for the twenty-first century / |c Bruce Haynes.

• 260 __ |a Oxford ; |a New York : |b Oxford University Press, |c 2007.

• 300 __ |a xix, 284 p. : |b music ; |c 25 cm.

• 504 __ |a Includes bibliographical references (p. 251-266) and index.

• 505 0_ |a Introduction -- Part I. Performing styles. When you say something differently, you say something different ; Mind the gap : current styles ; Mainstream style : "Chops, but no soul" -- Part II. How romantic are we? Classical music's coarse caress ; The transparent performer ; Changing meanings, permanent symbols -- Part III. Anachronism and authenticity. Original ears ; Ways of copying the past ; The medium is the message : period instruments -- Part IV. What makes baroque music "baroque"? Baroque expression and romantic expression compared ; The rainbow and the kaleidoscope : romantic phrasing compared with baroque -- Part V. The end of "early" music. Passive and active musicking : stop staring and grow your own ; Perpetual revolution.

• 650 _0 |a Performance practice (Music) |x History.

• 650 _0 |a Music |x Interpretation (Phrasing, dynamics, etc.) |x Philosophy and aesthetics.

• 905 __ |a 211440 |b BK343703 |d J609.4 |e 4