借阅关系图
相关资源
收藏此书的书架
文献类型：西文图书 浏览次数：61
- 题名/责任者:
- The Cambridge Stravinsky encyclopedia / edited by Edward Campbell, Peter O'Hagan.
- 出版发行项:
- Cambridge, United Kingdom ; New York : Cambridge University Press, 2021.
- ISBN:
- 9781107140875
- 载体形态项:
- xiii, 564 pages : music ; 24 cm
- 附加个人名称:
- Campbell, Edward, 1958- editor.
- 附加个人名称:
- O'Hagan, Peter, editor.
- 个人名称主题:
- Stravinsky, Igor,-1882-1971-Encyclopedias.
- 中图法分类号:
- J605.512
- 中图法分类号:
- K835.125.76
- 书目附注:
- Includes bibliographical references (pages 541-544) and index.
- 摘要附注:
- "Although there have been acclaimed volumes on such leading eighteenth and nineteenth century composers as Handel, Mozart, Berlioz, Verdi and Wagner, an encyclopedia devoted to a twentieth century composer is a new initiative for Cambridge University Press. Igor Stravinsky is one of a small number of early modernist composers whose music epitomises the stylistic crisis of twentieth century music and indeed of the arts in general during the last century. In a creative span of some seven decades, he witnessed at first hand the slow decay of the opulent world of post-Wagnerian romanticism, the advent of serialism, and finally, the beginning of the era of stylistic pluralism which marked the last three decades of the twentieth century. Indeed, these developments find a parallel in Stravinsky's own evolution, starting from the Russian nationalist heritage of the early works, a world which is irretrievably shattered in the dissonances and rhythmic innovations of The Rite of Spring, the seismic shock of which continues to resonate to this day. The subsequent neoclassical works anticipate the stylistic diversity of the contemporary musical scene, the composer's multi-faceted artistic personality finding expression in the adoption of a dazzling and at times bewildering range of identities, culminating in his attempts to integrate serial techniques into a personal style during the final period. Whilst avoiding making exaggerated claims for Stravinsky's artistic legacy, it can be stated with confidence that his position in the history of Western art music is such that he is widely recognised as 12 one of the most imposing musical personalities of his time, and as such comparable to Monteverdi, Bach, Beethoven and Wagner"--
全部MARC细节信息>>
| 索书号 | 财产号 | 年卷期 | 馆藏地 | 书刊状态 | 还书位置 |
| K835.125.76/E988 | BK00483332 |  书刊库 |
借出-应还日期：2024-11-08 | 书刊库 |
显示全部馆藏信息