中央音乐学院图书馆书目检索系统

Online Public Access Catalogue

题名/责任者:

Music in South India : the Karṇāṭak concert tradition and beyond : experiencing music, expressing culture / T. Viswanathan, Matthew Harp Allen.

出版发行项:

New York : Oxford University Press, 2004.

ISBN:

9780195145915 (pbk.)

载体形态项:

xxv, 150 p. : ill. ; 21 cm. + 1 sound disc (4 3/4 in.)

丛编说明:

Global music series

丛编统一题名:

Global music series.

个人责任者:

Viswanathan, T.

附加个人名称:

Allen, Matthew Harp.

论题主题:

Music-India-History and criticism.

论题主题:

Carnatic music-History and criticism.

中图法分类号:

J607.35

书目附注:

Includes bibliographical references (p. 135-142) and index.

内容附注:

Song in South India -- Bhajan (Devotional Song) -- Songs and Singing -- Meaning of the Text: Devotion, Love, and Praise -- Celebrating Tyagaraja in the United States and in South India -- Languages of the Region -- Kriti -- Evolution of Kriti -- Text and Context--a Continuum of Performance from Devotion to Virtuosity -- Music, Language, and Politics -- The Tamil Music Movement -- Muttuttandavar (Seventeenth Century) -- The Text of "I Trusted You/Unnai Nambinen" (CD track 3) -- The Musical Setting of "I Trusted You/Unnai Nambinen" (CD track 3) -- The Group's Progress Through the Kriti -- The Ensemble -- The Instruments -- Violin (Chordophone) -- Mridangam (Membranophone) -- Tambura (Chordophone) and Its Sruti, Drone, Function -- Key Concepts in Karnatak Music -- Tala: Meter and Rhythm in Karnatak Music -- The Five "Families" of Rhythm and Drummers' Thinking -- Hand Gestures and Vocalized Syllable Sequences for Commonly Used Talas -- Tala Exercises in Three Speeds -- Raga: Melody in Karnatak Music -- Scale -- Note (Svara) and Solfege Syllable Names -- Kiravani and Kapi Ragas: Raga as a "Vast Ocean" -- Ornamentation (Gamaka) -- Phrase (Sancara or Prayoga) -- Phrases in Kiravani and Kapi Ragas -- Functional Notes--Svaras Holding Particular Functions -- Integrated Melodic-Rhythmic Training -- The Karnatak Concert Today -- Presentation and Discussion of the "Main Piece" of a Concert -- The Setting -- Tuning Up -- Beginning -- Kriti as an Orally Transmitted Composed Case of a Performance -- Brief Guide to the Performance -- Composition and Improvisation: Fixity and Fluidity -- Kiravani Raga Alapana -- Aesthetics and Dynamics of Accompaniment -- Kriti: The Core Component -- The Pallavi -- The Anupallavi and Pallavi reprise -- The Caranam and Pallavi Reprise -- Niraval -- Svara Kalpana -- Different Ways to Improvise: A Comparison of Niraval and Svara Kalpana -- Tani Avarttanam--Drum Solo -- Contextualizing South Indian Performance, Socially and Historically -- Women and Music: The Devadasi and Her Community -- Women's Public Performance Circa 1900 -- Loss and Recovery of a Woman's Work -- "Now We Women Have a Platform to Commence Singing"--Bangalore Nagarathnammal and the Tyagaraja Festival -- Bangalore Nagarathnammal as a Performer -- Sringara Bhakti: Being in Love with God -- Listening through the Static: The Rise of Audio Recording -- Men and Music: From Temple and Court to Public and State Patronage -- Men's Performance in Precolonial South India -- The Hereditary Male Temple Service Musician -- The "Emperor of Nagasvaram": T. N. Rajarattinam Pillai -- "The Audience Would Not Be Satisfied If He Did Not Play This Raga" -- Alapana in Todi Raga -- A New World of Performance: Concert Halls, Media, and Audiences in the Urban Environment -- The Development of Radio -- The Recording Industry: Commodification and Resistance -- "The Effect of the Performance Should Be Such As to Keep the Listeners Spell-Bound" -- Men Scripting and Singing Women's Inner Feelings -- A Hereditary Music Family -- A Dual Musical Enculturation and Education -- "I Am Going to Snub These Male Chauvinists" -- Music and Gender Today -- Summary: An Ancient and Modern Tradition of Musical-Social Behavior -- Regional and Modern Traditions: Contemporary Music Making in South India and Beyond -- Music in Kerala -- Idakka, a Pressure Drum from Kerala -- Kathakali Dance Drama -- Character Types, Costume, and Makeup -- Changes in the Twentieth Century -- The Kathakali Music Ensemble -- Kathakali Songs: Slokam and Padam -- Performance of Padam from Nala Caritam -- Music of the Cinema in South India -- The "Company Drama" and the Silent Cinema -- Early Sound Films: The "Mythological" -- The "Social" -- The Playback Singer -- The Cinema and Karnatak Music: A Parting of Ways -- "When I Say Come/Ba Ennalu" -- Cross-Cultural Composition and Collaboration -- "Can There Be Release/Moksamu Galada?" -- Tatva, a Regional Performance Tradition in Karnataka State -- The Deccan Plateau: Meeting of North and South India -- The Kannada Tatva Composer Sharif Saheb -- Hindu-Muslim Relations in Karnataka State -- Katha Performers of the Kinnari Jogi Community -- "Why Do You Worry/Yake Cinti?" -- A Circle Completed.

豆瓣简介：