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文献类型:西文图书 浏览次数:202

题名/责任者:
Bodily expression in electronic music: perspectives on reclaiming performativity / edited by Deniz Peters,Gerhard Eckel,and Andreas Dorschel.
版本说明:
1st ed.
出版发行项:
New York : Routledge, 2012.
ISBN:
0203145097(ebk)
ISBN:
0415890802(alk.paper)
ISBN:
9780203145098(ebk)
ISBN:
9780415890809(alk.paper)
载体形态项:
x, 230 p. : ill.; 24 cm.
丛编说明:
Routledge research in music; 2.
丛编统一题名:
Routledge research in music; 2.
附加个人名称:
Dorschel,Andreas.
附加个人名称:
Eckel,Gerhard.
附加个人名称:
Peters,Deniz.
附加团体名称:
Georgetown Chimes Book Endowment Fund donor
论题主题:
Electronic music-History and criticism.
论题主题:
Expression.
中图法分类号:
J618.9
一般附注:
This item purchased with funds from:Georgetown Chimes Book Endowment Fund
书目附注:
Includes bibliographical references(p.[211]-221)and index.
内容附注:
Introduction/ Deniz Peters-- Part I. Bodily--: 1. Touch:real,apparent,and absent--on bodily expression in electronic music/ Deniz Peters; 2. How things fall apart:alteration of body in music and dance/ Sondra Fraleigh; 3. What would disembodied music even be?/ Alva No�; 4. Embodying the sonic invisible:sketching a corporeal ontology of musical interaction/ Susan Kozel; 5. Seeing sound, hearing movements:multimodal expression and haptic illusions in the virtual sonic environment/ Jaana Parviainen-- Part II. --Expression in--: 6. Ich und Du:on the relation between body image and sound structure in contemporary music/ Isabel Mundry; 7. Isabel Mundry's Ich und Du and the elusiveness of musical meaning:variations on music,body,structure,perception/ Christian Utz; 8. Two kinds of physicality in electronic and traditional music/ Kendall L.Walton; 9. Objective music:traditions of soundmaking without human expression/ Federico Celestini and Andreas Dorschel-- Part III. --Electronic music: 10. Embodies generative music/ Gerhard Eckel; 11. Live electronic music or living electronic music?/ Simon Emmerson; 12. Digital music,relational ontologies ad social forms/ Georgina Born; 13. JND:an artistic expression in bodily experience as research/ Chris Salter.
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