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题名/责任者:

Women in jazz : musicality, femininity, marginalization / Marie Buscatto.

出版发行项:

New York : Routledge, 2022.

出版发行项:

c2022

ISBN:

9781032011813

ISBN:

1032011815

ISBN:

9781032011783

ISBN:

1032011785

载体形态项:

xxviii, 145 pages : illustrations ; 23 cm.

统一题名:

Femmes du jazz. English

丛编说明:

Transnational studies in jazz

丛编统一题名:

Transnational studies in jazz.

个人责任者:

Buscatto, Marie, author.

论题主题:

Women jazz musicians-France.

论题主题:

Women jazz singers-France.

论题主题:

Jazz-Social aspects-France.

论题主题:

Sex role in music.

论题主题:

Musiciennes de jazz8-France.

论题主题:

Chanteuses de jazz-France.

论题主题:

Röle selon le sexe dans la musique.

论题主题:

Jazz-Social aspects.

论题主题:

Sex role in music.

论题主题:

Women jazz musicians.

论题主题:

Women jazz singers.

地理名称主题:

France.

中图法分类号:

J609.9

书目附注:

Includes bibliographical references (pages [134]-141) and index.

内容附注:

Introduction: A saturated and hierarchized professional world -- Part one, Jazz singer : such a "feminine" job. Vocal jazz, commerical jazz, gendered jazz ; So "feminine" in such a "masculine" world ; The voice is not an instrument ; An irresistible "feminine" seduction ; Amateur vocal jams : an illusory gendered transgression? -- Part two, Some "great chicks". Very "well-endowed" young women ; Difficult access to stable working networks ; Women in a man's world : reconciling the irreconcilable? ; Managing one's "femininity" in public : disparagement, neutrality or seduction? -- Conclusion.

摘要附注:

"Women in Jazz: Musicality, Femininity, Marginalization examines the invisible discrimination against female musicians in the French jazz world and the ways women thrive as professionals despite such conditions. The author shines a light on the paradox for women in jazz: to express oneself in a "feminine" way is to be denigrated for it, yet to behave in a "masculine" manner is to be devalued for a lack of femininity. This masculine world ensures it is more difficult for women to be recognized as jazz musicians than it is for men-even when musicians, critics, and audiences are ideologically opposed to discrimination. Female singers are confined by the feminine stereotypes of their profession, while female instrumentalists must comport themselves into traditionally masculine roles. The author explores the academic and professional socializations of these musicians, the musical choice they make, and how they are perceived by jazz professionals as a result. First published in French by CNRS Editions in 2007 (and later reissued in paperback in 2018, with the author's postscript that "nothing much has changed"), Women in Jazz: Musicality, Femininity, Marginalization expands the conversation beyond the French border, identifying female jazz musicians as a discriminated minority all around the world"--

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