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题名/责任者:

Anthology of medieval music / Richard H. Hoppin, editor.

版本说明:

1st ed.

出版发行项:

New York : W.W. Norton, ©1978.

ISBN:

0393090809

ISBN:

9780393090802

ISBN:

0393090906

ISBN:

9780393090901

ISBN:

0393022021

ISBN:

9780393022025

其它标准号:

9780393090802

载体形态项:

xiii, 177 pages ; 24 cm.

丛编说明:

Norton introduction to music history

丛编统一题名:

Norton introduction to music history.

附加个人名称:

Hoppin, Richard H.

附加个人名称:

Pérotin, -1238? Sederunt principes.

附加个人名称:

Jaufré Rudel, active 12th century. Quan li rius de la fontana.

附加个人名称:

Bernart, de Ventadorn, active 12th century. Non es meravilla s'eu chan.

附加个人名称:

Marcabrun, active 12th century. Autrier jost' una sebissa.

附加个人名称:

Gillebert, de Berneville, active 13th century. De moi douloureus vos chant.

附加个人名称:

Neidhart, von Reuenthal, active 13th century. Ine gesach die heide.

附加个人名称:

Neidhart, von Reuenthal, active 13th century. Owê, lieber sumer.

附加个人名称:

Vitry, Philippe de, 1291-1361. Garrit Gallus/In Nova fert/ Neuma.

附加个人名称:

Guillaume, de Machaut, approximately 1300-1377. Qui es promesses de Fortune/Ha, Fortune! trop suis mis loing/Et non est qui adjuvet.

附加个人名称:

Guillaume, de Machaut, approximately 1300-1377. Dous amis.

附加个人名称:

Guillaume, de Machaut, approximately 1300-1377. Se vous n'estés.

附加个人名称:

Guillaume, de Machaut, approximately 1300-1377. Bonté, de valour.

附加个人名称:

Lorenzo, da Firenze, -1372 or 1373. Dà, dà a chi.

附加个人名称:

Niccolò, da Perugia, active 14th century. Dappoi che'l sole.

附加个人名称:

Landini, Francesco, approximately 1325-1397. Questa fanciulla, Amor.

附加个人名称:

Jacob, de Senleches, active 1378-1395. Harpe de mellodie.

附加个人名称:

Ciconia, Johannes, approximately 1335-1411. Con lagreme bagnandome nel viso.

论题主题:

Vocal music.

论题主题:

Sacred vocal music.

中图法分类号:

J609.5

一般附注:

Intended for use with the editor's Medieval music.

一般附注:

Contains principally vocal music.

内容附注:

Alma Redemptoris Mater (Antiphon to the Blessed Virgin Mary) / Harmannus Contractus -- Vota mea Domino reddam (Second Antiphon for Monday at Vespers, with Psalm 115 [116: 10-19]) -- Christe Fili Dei and Erue a framea (Two short responsories: Sunday at Prime during the year, and Passion and Palm Sunday at Terce) -- Aeterne rerum conditor (Hymn with two melodies) -- The solemn mass of Easter day -- Alleluia : dicite in gentibus (Alleluia with proses) -- Kyrie Deus genitor (Kyrie with trope) -- Eia Syon (Trope of Introit for Epiphany, ecce advenit) -- Alleluia : Suscipe laus angelorum (Alleluia and Sequentia with partial text) -- Rex caeli (Sequence with double cursus) -- Fleury play Slaughter of the innocents. Lament of Rachel -- Laude jocunda (Beginning of Sequence to Saints Peter and Paul [Melismatic organum, School of St. Martial) -- Omnis curet hom (Versus in discant style, School of St. Martial) --

内容附注:

Huic Jacobo (Responsory for Matins in the office of St. James, with melismatic organum) -- Nostra phalans (Versus in discant style for the Feast of St. James) -- Alleluia : Nativitas (Notre Dame organum with substitute clausulae) / Leonin -- Ex semine (Clausulae) -- Sederunt (Organum quadruplum [Gradual for St. Stephen's Day, respond only]) / Perotin -- Procurans odium (Notre Dame Conductus) -- Soli nitorem (Notre Dame conductus with caudae) -- Ex semine Abrahe, Ex semine Rosa, Se j'ai amé, Hyer mein trespensis (Motet texts added to Perotin's clausula Ex semine) -- Olim sudor Herculis (Monophonic conductus in sequence form with refrain) -- Sic mea fata (Latin love song) -- Quan lo rius de la fontana (Troubadour vers) / Jaufre Rudel -- Non es mervelha s'eu chan (Troubadour vers) / Bernart de Ventadorn -- L'autrier jost' una sebissa (Troubadour pastorela) / Marcabru -- Bele Doette (Chanson de toile) -- Au tems pascor (Trouvère pastourelle) / Jehans Erars --

内容附注:

De moi dolereus (Rotrouenge) / Gillebert de Berneville -- Penser ne doit vilenie (Chanson with refrains) -- Ine gesach die heide (Summer song) / Neidhart von Ruenthal -- Owê, lieber sumer (Winter song) / Neidhart von Reuenthal -- Laude novella sia contata (Italian lauda) -- Santa Maria amar (Cantiga de Santa Maria [no. 7]) -- Byrd one brere (English love song) -- Dame de valur-Hei Diex! Cant je remir-Amoris (Motet enté) -- Aucun vont-Amor qui cor-Kyrie (Bilingual motet) -- C'est la jus-Pro patribus (Motet with rondeau text) -- J'ai les maus d'amours-Que ferai-In seculum (Rondeau-motet enté) -- Dansse Real (Instrumental dance) -- Tortto (Instrumental dance) -- Garrit Gallus-In nova fert-Neuma (Isorhythmic motet) / Philippe de Vitry -- Se je chant (Chace) -- Qui es promesses-Ha! Fortune-Et non est qui adjuvat (Isorhythmic motet) / Guillaume de Machaut -- Dous amis (Ballade) / Machaut -- Se vous n'estes (rondeau) / Machaut -- De bonté, de valour (Virelai) / Machaut --

内容附注:

Dà, dà a chi avareggia (Madrigal) / Lorenzo da Firenze -- Dappoi che'l sole (Caccia) / Niccolò da Perugia -- Questa fanciull' amor (Ballata) / Francesco Landini -- Medee fu (Ballade in manneristic style) -- La Harpe de melodie (Virelai) / Jacob Senleches -- Con lagrime gabnando me (Ballata) / Johannes Ciconia -- Stella celi (Prayer to the Virgin Mary in English discant) / Cooke.

摘要附注:

This anthology is designed to accompany Medieval Music, the initial offering in the Norton Introduction to Music History series. It will also undoubtedly provide a welcome addition to the heretofore severely limited repertoire of medieval pieces available in contemporary notation. Most of the seventy-one works have been freshly transcribed, and all have been newly engraved for this collection. In choosing the works for inclusion in this collection, many of which have never been available in a modern edition, Professor Hoppin ranged widely throughout the gamut of medieval music forms. For example, all the movements for the Solemn Mass of Easter Day are offered along with typical troubadour and troverè works. Examples of sequence, clausula, organum, and conductus are presented together with Latin and English love songs, motets, rondeaux, and ballate. The result is a history of medieval music in itself. There are no snippets or frustrating samples, but only complete works or -- at the least -- integral movements of larger works. All the characteristic styles of the period are represented, and text translations accompany each work. Students, teachers, scholars, and lovers of early music will find this well-designed anthology a joy to contemplate and a pleasure to use. - Back cover.

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